Vague Appliances and Utilities
Works by Andrew Geddes
On View Sept. 1 - Nov. 11, 2023
Opening Reception: Aug. 31, 6 - 8 p.m.
The focus of these assemblages and sculptures has evolved as a feeling not exclusively nostalgic but still rooted in playful optimism. It feels like play for me as I organize newly made and older castings with found forms by color and shape. My current process includes the creation of multiple geometric and irregular forms, cast in colored resin or thermoformed plastic. As I amass a varying collection of these molded and cast forms, a selective matching process develops. During this process, complimentary pieces are selected which resemble or represent a misshapen facsimile of commercial products, novelty items, or toys.
Papahanaumoku: A Panoply of New Island Cultures
Works by Solomon Robert Nui Enos
September 15 – December 16, 2023
Opening reception: September 14, 6 – 8 p.m.
Solomon Robert Nui Enos is a Native Hawaiian artist, illustrator, and visionary. Born and raised in Makaha Valley (O‘ahu, Hawai‘i), he hails from the well-known Enos ‘ohana and has been making art for more than 30 years. Papahanaumoku references one of the foundational mo‘olelo or stories, telling of the mother, Papa, who birthed the islands, from Hawai‘i island to Kaua‘i and beyond. Works created for this exhibition offer a conceptual continuation of the peopling of islands, as the effects of climate change reshape our planet’s land masses, ecologies, and societies.
Recently On View
Feb. 3 - May 6, 2023
Sam Bartlett: Low Stakes, Plywood Cutouts & Everyday Comix
Opening Reception: Feb. 2, 6 - 8 p.m.
Sam Bartlett is an American folk artist, public-art instigator, cartoonist, performer, musician, and composer.
As an artist, Sam specializes in painting and cutting sculptures from salvaged wood. He derives inspiration from the naturally low stakes involved in using free materials.
Sam does virtually no planning or sketching for his artwork, preferring to try to harness the energy of a first take. Common themes in his work include complex physical relationships between people, things on top of other things, things being bitten and eaten, old-time and Irish music communities, and mortality. He has been strongly influenced by artists Peter Schumann, Howard Finster, and Gustav Vigeland.
2023 Juried Student Exhibition
Mar. 3 - Apr. 8
Opening Reception: Mar. 2, 6 - 8 p.m.
"In this exhibition of ODU's art students we can see an attention to material, a sensitivity towards ecology, and complex emotional registers. These works spin thread lines that tie to one another, engaging ideas of the self, environment, memories, commodities, shared anxieties, and longings. The work is looking outward at the broader world yet mediated through unique perspectives. Through this extreme interiority, we can see a sort of 'entangled precarity.' This phrase coined by anthropologist Anna Lowenhaupt Tsing explains the "open-ended assemblages of entangled ways of life" and particularly, the many ways we as humans live in vulnerability with one another and with non-human species. Chaos ensues all around us, evidenced by the extreme changes of climate, animal extinctions, and further spurned on by free-market capitalism. What we find despite these uncertainties is not a fragility, but a self-assertion. There is power in being vulnerable with each other. We can connect and create our own webs and networks of support the way these artists have done. These works seem to converse amongst themselves. In what ways do they speak to you?"
- Juror's statement by Chelsea Pierce, McKinnon Curator of Modern and Contemporary Art, Chrysler Museum of Art
Gordon the Robot
Affectionately nicknamed "Gordon" after the art galleries' namesakes—Baron and Ellin Gordon—this innovative telepresence robot allows remote visits from around the world.
Gordon can move around the space, raise and lower height, and zoom in on art. The remote driver can interact live with staff in the galleries and also invite friends, colleagues, and students to join their visit.
Proceeds support arts programming and educational opportunities at ODU.
Jan. 21 - May 7, 2022
Art from Guantánamo Bay
RESCHEDULED Opening Reception Jan. 27, 6 - 8 p.m.
Detainees at the United States military prison camp known as Guantánamo Bay have made art from the time they arrived. The Art from Guantánamo Bay exhibition features 101 of these evocative works, made by men held without trial, some for more than 15 years. The six artists include both current (Moath Al Alwi and Ahmed Rabbani) and former (Muhammad Ansi, Abdualmalik (Alrahabi) Abud, Sabri Al Qurashi, Mansoor Adayfi) detainees, none of whom have been charged with committing a crime.
Most pieces in the exhibition were taken from Guantánamo by the detainees' attorneys for this showing and following a laborious process of searching, scanning, and analysis for hidden messages by Guantánamo officials. A stamp reading "Approved by US Forces" signals that a work has been cleared, and the stamp's ink often bleeds through to the image on the other side, creating a ghostly mix of art and authority.
Art from Guantánamo Bay includes drawings and paintings as well as sculptures crafted with the few materials permitted to detainees, including model ships made from shirt scraps, prayer caps, razors, and mops. As former detainee Mansoor Adayfi explains in his New York Times essay "In Our Prison on the Sea," the sea "means freedom that no one can control or own, freedom for everyone." Although detainees were held close to the sea, tarps blocked their view until they were removed for four days in 2014 in anticipation of a hurricane; after that, Adayfi recalls, "all of those who could draw made drawings about the sea."
Aug. 30 - Nov. 12, 2022
DesignHer: Works by Contemporary Women Graphic Designers
Closing Reception Nov. 10, 6 - 8 p.m.
DesignHer is an exhibition of contemporary graphic design focusing on women practitioners. Highlighting how women have been at the forefront of defining and challenging the conceptions of design, the exhibition presents a sampling of the various purposes design is put to in our culture and the motivations that prompted its use. Participants range from younger artists building a reputation to internationally renowned leaders in the discipline, and works range from individually crafted objects to mass media campaigns.
Apr. 28 - May 7, 2022
Best If Used By
Opening Reception Apr. 28, 6 - 8 p.m.
The Baron and Ellin Gordon Galleries present Best If Used By, an exhibition of works by the Spring 2022 graduating class of Bachelor of Fine Arts majors at Old Dominion University.
A work of art can last forever, yet every exhibition has an expiration date. As our time at ODU comes to an end, we are conscious of time passing, and can sometimes feel like items on a shelf. An expiration date is a reminder of our finiteness. Our wide variety of media, including paintings, photographs, drawings, and screen/ relief prints explores themes of nostalgia, personal development, and the experience of life itself. As we begin a new chapter, we encourage viewers to celebrate this transition.
Participating artists are:
- Mylahn Parsons
- Eric Smith
- Roger Evans
- Grace McCrery
- Holly Castle
- Emily Vassar
- Cheryl Cushing-Oman
- Gabby Barnett
- Shemeka Daniels
- Akira Barnes
- Dominick Bellamy
- Jada Wilson
Follow @bestifusedby22 on Instagram for information on upcoming virtual events.