Presentations

Anderson, T. (March 9, 2007). Networking the Scene: What Popular Music Scenes Can Teach Us About ‘New Media’ and ‘Social Networks’ Chicago, IL.

Anderson, T. (October, 2006). Consumers, Recording, and Playback in the Television and Recording Industries Roundtable presented at Flo Conference Austin, TX.

Anderson, T. (March 31, 2005). Space, The Pliable Frontier: The New Spatial Palette of Post World War II Audio London, England.

Anderson, T. (March 5, 2005). Tracks on the Margin and Tracks of Tradition: Soul Train in the early 1970s presented at Over the Waves: Music In/And Broadcasting, An International Conference Hamilton, Ontario, Canada.

Anderson, T. (March 6, 2004). Tracks on the Margin and Tracks of Tradition: UHF, Syndication and Soul Train in the Early 1970s Atlanta, GA.

Anderson, T. (September 19, 2003). 'To flood the basin with Beethoven and other Good Music’: FM and the promise of a popular 'genteel concert aesthetic' in post-World War II American radio Los Angeles, CA.

Anderson, T. (July 5, 2003). Catching the Train: The Case of ‘Soul Train’ presented at 12th biennial International Association for the Study of Popular Music-International Conference Montreal, Canada.

Anderson, T. (April 11, 2003). Catching the Train: The Case of Soul Train in Post Civil Rights African American Popular Media and Music Seattle, WA.

Anderson, T. (October 12, 2002). It’s On The Flipside Cleveland, Ohio.

Anderson, T. (May, 2002). Abusing Mnemonic Machinery: The Pathology of Nostalgia and the Figure of the Recording in Contemporary Popular Cinema presented at Conference for the Society of Cinema Studies Denver.

Anderson, T. (October 23, 2001). The American Federation of Musicians and their Recording Bans: Rethinking their Purpose, Focus and Effects on Postwar American Mass Media presented at Denison University Faculty Lunch Program Granville, Ohio.

Anderson, T. (July, 2001). The Problem of Interdisciplinarity in Popular Music Studies presented at 11th Biannual IASPM Conference, “Looking Back, Looking Ahead: Popular Music Studies 20 Years Later” Turku, Finland.

Anderson, T. (May, 2001). Teaching Transnational Media: A Forum of Pedagogical Approaches presented at Conference for the Society of Cinema Studies Washington, DC.

Anderson, T. (March 9, 2000). Missing the Train: Critical Lacunae in Television Studies and the Case of Soul Train presented at Conference for the Society of Cinema Studies Chicago, IL.

Anderson, T. (April 18, 1999). Reproduce, Repackage, and Repeat!: The Logic of Media Catalogues from the Perspective of the Music Industry presented at Conference for the Society of Cinema Studies West Palm Beach.

Anderson, T. (April 3, 1999). Cinema and the Popular Space for Music: Fantasia, Fantasound and the Audible Pleasures of Modern Life presented at Cinema and Popular Song Conference Iowa City.

Anderson, T. (October 23, 1998). Voice as Property: Versioning My Fair Lady presented at Media Arts Colloquium Tucson.

Anderson, T. (October 17, 1998). No, But I Have Heard The Soundtrack: Popular Music and Film Studies presented at Conference for the International Association for the Study of Popular Music – U.S. Division Los Angeles, CA.

Anderson, T. (March 6, 1998). Which Voice Best Becomes the Property: Tie-Ups, Intertexts and Versioning in the Production of My Fair Lady presented at Chicago Film Seminar Chicago.

Anderson, T. (October 23, 1997). Buried Under the Fecundity of His Own Creations: Rethinking the Recording Bans presented at Conference for the International Association for the Study of Popular Music – U.S. Division Pittsburgh.

Anderson, T. (July 27, 1997). On Becoming a DJ presented at The Style Conference Bowling Green, Ohio.

Anderson, T. (March 23, 1997). From the Music Hall to the Theater: The Reformation of the Early American Film Music presented at Northwestern English Graduate Student Association Proseminar.

Anderson, T. (April 26, 1996). A Sassy Attitude and a Promiscuous Tone: Sassy, a Case Study in Affective Arenas and Progressive Politics presented at Console-ing Passions Conference Madison, Wisconsin.

Anderson, T. (March 8, 1996). Reforming ‘Jackass Music’: The Problematic Aesthetics of Early American Film Music Accompaniment presented at Conference for the Society of Cinema Studies Dallas.

Anderson, T. (April 7, 1995). Give Me Body: The Return of the Repressed in Virtual Reality presented at Remote Controls: The (Re)Construction of Authority and Identity in Cyberspace Columbus, Ohio.

Anderson, T. (April 4, 1994). It’s Like, You Know, She’s Speaking With Us: Sassy Tones and Affective Politics presented at Center for Interdisciplinary Research in the Arts Conference for Graduate Studies Northwestern University.

Anderson, T. (March 4, 1994). Thou Shall Not Steal Television: Signal Theft in the Age of Information presented at Conference for the Society of Cinema Studies New York.

Anderson, T. (December 3, 1992). The Early Development of the Long Play Record as a Cultural Product presented at Department of Radio/Television/Film Graduate Student Conference Northwestern University.