So long as this quiz is announced in the current web page, it will be eligible for the extra credit as explained below. For a perfect quiz (no errors) you will receive a one point credit on your final grade. (ex. If your final average is 79, the one credit that you recive for this quiz will raise that average to an 80 and result in a B-.) If you have errors, I will respond to your email alerting you of this. You will not be informed as to where the error/s occur/s. You must then resubmit the entire quiz answers, at which time the whole process will repeat. If your quiz is perfect, you will also be notified of this fact. There is no penalty on your record for errors on the quiz; you merely will not get the extra credit. Send your answers to wbartolo@odu.edu.
In a separate email, send me the answers to these questions.
Format:
1. A seventh chord is
a. a four
note chord.
b. a triad
with a third added to the top.
c. a triad
with a 7th added from the root.
d. All
of the above
2. How many commonly used types of seventh chords
are there?
a. 3
b. 4
c. 5
d. 6
3. The dominant 7th chord is a
a. major
triad with a minor 7th.
b. minor
triad with a major 7th.
c. major
triad with a major 7th.
d. None
of the above
4. The interval of a tritone appears only in the dominant
7th chord.
a. True
b. False
5. The Major 7th chord appears on
a. tonic,
subdominant, and submediant in major keys and dominant and submediant in
minor keys.
b. subdominant
and dominant in major keys and mediant and submediant in minor keys.
c. tonic
and subdominant in major keys and mediant and submediant in minor keys.
d. tonic and
dominant in major keys and dominant and submediant in minor keys.
6. The diminished 7th chord can only be found diatonically
on
a. the
leading tone in major or minor.
b. the
leading tone in minor.
c. the
leading tone in major and the supertonic in minor.
d. All
of the above
7. The tritone, contained in a dominant 7th chord,
occurs between the
a. supertonic
and dominant of the key.
b. mediant
and leading tone of the key.
c. subdominant
and the leading tone of a key.
d. leading
tone and the dominant of a key.
8. The dominant 7th chord is expected to resolve to
a
a. I or
i chord.
b. iii
or III chord.
c. viio6
chord.
d. 2nd
class chord.
9. The complete dominant 7th chord usually resolves
to
a. a complete
tonic chord.
b. an
incomplete tonic chord.
c. a tonic
6-4 chord.
d. None
of the above.
10. In a 3-voice dominant 7th chord or in a 4-voice incomplete
dominant 7th the most commonly omitted chord tone is the
a. root.
b. third.
c. fifth.
d. seventh.