MUSIC THEORY

Music 221

Mod 18
Basic Chords

If we construct a triad on each note of the staff, the result will be as follows:





Major

A triad may be built upon each note of a scale.  In a major key if a triad were built upon the tonic note, we would say that the triad is a tonic chord.  A triad built upon the second scale degree is a supertonic chord.  A triad built upon the third scale degree is a mediant chord, and so on.  In written analysis we convert these scale degrees into Roman numerals, e.g. 1 = I, 2 = II, 3 = III, etc.  Furthermore, both upper case and lower case Roman numerals are used.  The number designating a major triad is always upper case, e.g. 4 = IV.  The number designating a minor triad is always lower case, e.g. 2 = ii.  The diminished triad is represented with a lower case number followed by the superscripted diminished symbol, e.g. viio.  The augmented triad is upper case number followed by a superscripted +, eg. III+.  In the case of a major key the diatonic triads will be as follows: 


Click on staff to hear

As you can see, the diatonic chords in a major key are these seven: the tonic triad is always major; the supertonic is always minor; the mediant, minor; subdominant, major; dominant, major; submediant, minor; and leading tone chord, diminished.


 Minor

In a minor key, because of the possibilities of using either the natural submediant or the raised submediant, and the subtonic or the leading tone, many possible triads result (13).  Each has a valid claim to being diatonic, since all of these sixth and seventh degree notes are part of a minor scale.  Nevertheless, the most common chords in a minor key are as follows:


Click on staff to hear

So the diatonic triads that most commonly occur in minor keys are these seven: the tonic triad is minor; the supertonic is diminished; the mediant, major; subdominant, minor; dominant, major; submediant, major; and leading tone, diminished.


This page is designed to assist students enrolled in Music 221 - Music Theory.  If you had difficulty in class with the contents of this lesson, this may help you to comprehend the material. If you missed the presentation in class, this may help to update the material for you.

If you still have questions, contact Dr. Bartolotta at wbartolo@odu.edu


William S. Bartolotta
Music Department
Old Dominion University
Norfolk, VA 23529